Enjoy my new track “H2O, My Friend” ~Doc
FUNK BOX RVA vol.1 – Richmond, VA’s (and Brooklyn’s) grimiest producers form like voltron for this epic BEAT TAPE!
mahLion + Doc B. Wildman + Digipossum + Visual Typestereo + Santa Kilmagik + F1NG3RS + Nerve Leak + James Dangle + REC: Richmond Electronic Collective + The Messenger am9l
#25 – Leonard Cohen – Popular Problems – Feel Connected Top 50 Albums of 2014
At age 80, Leonard Cohen has created a masterpiece. It’s a smoldering, after-hours brew, which is delivered with a sneaky soft feel that veils deep earnestness. “Slow,” is a smokey opening track, allowing Cohen to seize the opportunity to dismiss notions that his age might be responsible for the sedate pace of the music: “It’s not because I’m old/ It’s not what dying does/ I always liked it slow/ Slow is in my blood.”
Cohen’s lyrics are enlightening, rarely including rhymes, often with a disturbing underlying message. Leaving the listener to contemplate the deeper meanings, and the imagery that continues to linger long after the band’s music fades. The album ends with the airy hymn “You Got Me Singing,” suggesting Cohen is in no hurry to retire: “You got me singing even though the world is gone/ You got me thinking that I’d like to carry on/ You got me singing even though it all looks grim/ You got me singing the Hallelujah hymn.”
#26 – Freddie Gibbs & Madlib – Piñata – Feel Connected Top 50 Albums of 2014
Piñata is the collaborative studio album by Indiana rapper Freddie Gibbs and California hip hop musician Madlib. Piñata was released on March 18, 2014, under Madlib Invazion; following three stellar EP releases over a two and a half year period, including Thuggin’ (2011), Shame (2012) and Deeper (2013). The entire album is produced by Madlib, and the 17-track LP lives up to the bold promise of “featuring every mother fucker in the rap game worth fucking with,” with features from Raekwon, Earl Sweatshirt, Danny Brown, Domo Genesis, Scarface, BJ the Chicago Kid, Ab-Soul, Casey Veggies, Meechy Darko, Mac Miller, and more.
#27 – TV on the Radio – Seeds – Feel Connected Top 50 Albums of 2014
Seeds is the band’s first album in three years and its first album on legendary ’70s prog-rock label Harvest. TV on the Radio peaked from 2006 to 2008, and the past several years have been trying for band. Their longtime bassist Gerard Smith passed away from cancer days after Nine Types of Light was released, and the group also left its label Interscope. With Seeds the band shares their new sleek sound, likely due to guitarist/producer David Sitek, and remind the listener that TV ON The Radio is still a really good rock band.
Watch TV On The Radio perform “Happy Idiot” on David Letterman
TV on the Radio are on tour in support of Seeds, check out the dates below.
TV on the Radio Tour:
12-09 Seattle, WA – Key Arena
12-11 Portland, OR – Crystal Ballroom
02-07 Geneva, Switzerland – Antigel Festival
02-09 Paris, France – Le Trianon
02-10 Brussels, Belgium – AB
02-11 Amsterdam, Netherlands – Paradiso Grote Zaal
02-12 Hamburg, Germany – Mojo
02-14 Reykjavik, Iceland – Sonar Festival
02-16 Edinburgh, Scotland – Queens Hall
02-17 Manchester, England – Albert Hall
02-19 Leeds, England – O2 Academy
02-20 Birmingham, England – Institute
02-21 London, England – Roundhouse
03-20 Dallas, TX – Granada Theater
03-21 Kansas City, KS – Arvest Bank Theatre at The Midland
03-23 Chicago, IL – Metro
03-24 Milwaukee, WI – Pabst Theater
03-26 Denver, CO – Ogden Theatre
03-28 Salt Lake City, UT – The Depot
03-29 Boise, ID – Treefort Music Fest
03-31 Oakland, CA – Fox Theater
04-02 San Diego, CA – North Park Theatre
04-03 Los Angeles, CA – Hollywood Palladium
#28 – GOAT – Commune – Feel Connected Top 50 Albums of 2014
GOAT, a Swedish collective that makes hypnotic music that infuses EDM and Jamband-esque soundscapes with Afrobeat grooves and rhythms. GOAT embodies the spirit of 1960’s hippies with their guitar licks and psychedelic tones; and their rhythms conjure the late Fela Kuti .
Commune, GOAT’s second album, is rich with deep minimalistic organic grooves that remind me of the band Can, but there are also moments that would fit comfortably as an relic from the Haight-Ashbury in 1969. Throughout, the album’s strong, clear vibe positively calls out for listeners to don face paint, have a smoke, and dance around their living room chanting the hypnotic themes Commune.